These images were shot using a Phaseone 100 megapixel medium format camera system.  The assets, in their original state, were made available to me by the phaseone team. 

Using the RAW converting software; Capture 1 pro 10 for editing and colour grading all three assets. I reworked each digital negative, in my own vision, without fear of any image compression  artifact limiting the scope of the tonal/colour edit.
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